A Selection of Contributor’s Publications:

      [Issue 1.1]

• Emily Bilman—Resilience, The Threshold of Broken Waters, and Apperception (all published by Troubador, UK)

• Jace Brittain—Sorcererer (Schism)

• Maryann Corbett—In Code (Able Muse) and The O in the Air (Colosseum Books)

• Matt Dennison—Kind Surgery (Urtica Press) and Waiting for Better (Main Street Rag Press)

• Jason Emde—My Hand’s Tired & My Heart Aches (Kalamalka Press) and little bit die (Bolero Bird Books)

• Howie Good—frowney face and Swimming in Oblivion: New and Selected Poems (both from Redhawk Publications)

• Whit Griffin—We Who Saw Everything (Cultural Society), and, with Timothy C. Ely, Interior Voice / The Great Practice (Granary Books)

• J-T Kelly—Like Now (CCCP Chapbooks + Subpress)

• Rogan Kelly—Demolition in the Tropics (Seven Kitchens Press)

• Jahan Khajavi—Feast of the Ass (Ugly Duckling Presse)

• Richard Kostelanetz—Ouroboros (NYQ Books)

• Amit Majmudar—Black Avatar and Other Essays (Acre Books), Twin A: A Life (Slant Books)

• Robert Savino Oventile—Sophia Lethe Talks Doxodox Down, with Sandy Florian (Atmosphere)

• Rikki Santer—Stopover (Luchador Press)

      [Issue 1.2]

• S. T. Brant—Melody in Exile (Atmosphere Press)

• Alexander Etheridge—Snowfire and Home (Belle Point Press)

• Luke Johnson—Quiver (Texas Review Press)

• Stephen Kampa—World Too Loud to Hear (Able Muse), Cracks in the Invisible (Ohio University Press), and Articulate as Rain (The Waywiser Press)

• Mercedes Lawry—Vestiges (Kelsay Books)

• Shannon Lise—Such Excess of Light (Kelsay Books)

• Ann E. Michaels—The Red Queen Hypothesis (Highland Park Poetry) and Abundance/Diminishment (Kelsay Books)

• Jon Riccio—Agoreography (3: A Taos Press)

• Alina Stefanescu—Ribald (Bull City Press), Dor (Wandering Aengus Press), Every Mask I Tried On (Brighthorse Books)

• Megan Wildhood—Bowed As If Laden With Snow (Cornerstone Press)

      [Issue 1.3]

• JC Alfier—The Shadow Field (Louisiana Literature Press)

• Glen Armstrong—Night School: Selected Early Poems (Cyberwit.net)

• Rich Boucher—All of This Candy Belongs to Me (Jules’ Poetry Playhouse Publications)

• Kathryn de Lancellotti—Impossible Thirst (Moon Tide Press)

• Brent House—The Wingtip Prophecy (April Gloaming)

• Dennis Hinrichsen—Flesh-plastique (Green Linden Press)

• Vanessa Couto Johnson—pH of Au (Parlor Press) and pungent dins concentric (Tolsun Books)

• James Croal Jackson—Count Seeds With Me (Ethel Zine & Micro-Press) and Our Past Leaves (Kelsay Books)

• Ella Leynard—Poems, Verses, We Have Time to Love, Unveiling Time, Explosion of Words, Love at the Root

• Joshua Martin—SCHISMS (C22 Press), laminated tongue in aspic (Alien Buddha Press), and automatic message (Free Lines Press)

• Sheleen McElhinney—Every Little Vanishing (Write Bloody)

• Carolyn Oliver—The Alcestis Machine (Acre Books) and Inside the Storm I Want to Touch the Tremble (University of Utah Press)

• Smitha Sehgal—How Women Become Poems in Malabar (Red River)

• Sarah J. Sloat—Hotel Almighty (Sarabande Books)

      [Issue 1.4]

• Jack B. Bedell—Against the Woods’ Dark Trunks (Mercer University Press)

• Clara Burghelea—Praise the Unburied (Chaffinch Press)

• Barbara Daniels—Talk to the Lioness (Casa de Cinco Hermanas Press)

• Bart Edelman—The Alphabet of Love, The Gentle Man, The Last Mojito, The Geographer’s Wife (all with Red Hen Press)

• Gunilla T. Kester—If I Were More Like Myself (The Writers Den)

• Desmond Kon—Depth of Field: My Guided Journal for Self-Healing (Penguin Random House Southeast Asia)

• Nadja Küchenmeister—All the Lights (Schoeffling + Co.), Under the Juniper (Schoeffling + Co.), and In the Glass Mountain (Schoeffling + Co.)

• Stefan Manasia—The Aroma Stabilizer and The Chronovisor

• Lagnajita Mukhopadhyay—this is our war (Penmanship Press) and everything is always leaving (M.C. Sarkar & Sons, Kolkata)

• Christopher Nelson—Blood Aria (University of Wisconsin Press)

• Tamas Panitz—The Country Passing By (Model City)

• Patrick T. Reardon—Puddin’: The Autobiography of a Baby (Third World Press)

• Christopher Shipman—Getting Away with Everything, with Vincent Celluci (Unlikely Books)

• Michele Madigan Somerville—Glamorous Life (Rain Mountain Press), Black Irish (Plain View Press), and WISEGAL (Blue Streak Press)

• Adam Strauss—For Days (BlazeVOX)

• Liam Strong—everyone’s left the hometown show (Bottlecap Press)

      [Issue 2.1]

• Julia C. Alter—Some Dark Familiar (Sundog Poetry Book)

• Jerome Berglund—Bathtub Poems (Setu) and Funny Pages (Meat for Tea Press)

• Scott Ferry—each imaginary arrow (Impspired Press), Sapphires on the Graves (Glass Lyre), with Daniel McGinn, Fill Me With Birds (Meat for Tea)

• Connor Fisher—A Renaissance with Eyelids (Schism), The Isotope of I (Schism), and Speculative Geography (Greying Ghost Press)

• Jeffrey Hecker—Rumble Seat (San Francisco Bay Press), Ark Aft (The Magnificent Field)

• Kathleen Hellen—Umberto’s Night (Washington Writers' Publishing House)

• Philip Jason—Window Eyes (Unsolicited Press), I Don’t Understand Why It’s Crazy to Hear the Beautiful Songs of Nonexistent Birds (Fernwood Press)

• Frances Klein—New and Permanent (Blanket Sea) and The Best Secret (Bottlecap Press)

• Shae Krispinsky—New Galilee (Bottlecap Press)

• Christopher Munde—Slippage (Tebot Bach)

• Matthew Murrey—Bulletproof (Jacar Press)

• Eric T. Racher—Five Functions Defined on Experience: For Jay Wright

• Danny Rivera—Ancestral Throat (Finishing Line Press)

     [Issue 2.2]

• Mary Ayetey—The Ghosts I Know (Cow Tipping Press)

• Israel A. Bonilla—Landscapes (Ghost City Press, micro-chap) and Sleep Decades (Malarkey Books)

• Jose Hernandez Diaz—The Fire Eater (Texas Review Press), Bad Mexican, Bad American (Acre Books), The Parachutist (Sundress Publications), The Portrait of the Artist as a Brown Man (Red Hen Press)

• Robbie Gamble—A Can of Pinto Beans (Lily Poetry Review Press)

• Michael Goodfellow—Naturalism: An Annotated Bibliography and Folklore of Lunenburg County (both from Gaspereau Press)

• Elijah Guerra—Feral Ecology (Bottlecap Press)

• Candice M. Kelsey—POSTCARDS from a MASTHEAD (Boats Against the Current)

• Kristin Lueke—(in)different math (Dancing Girl Press)

• Jonathan Simkins—translator: El Creacionismo by Vicente Huidobro (The Lune)

• Dylan Webster—Dislocated (Quillkeepers Press)

• Ian C. Williams—Every Wreckage (Fernwood Press)