Joel Chace
[Egress glitch]
Egress glitch: something had entered, that
hadn’t left. Yes, this can happen.
Just take your little sister’s hand,
will you? Entrances — thousands, thousands. Then
straight, straight on. Just sing her
that song she likes, will you?
Something small, wobbling around on needle
legs — a cough deeper than its
lungs. Yes, the little song. What
if, for a noggin. you had
a silly possum, its body jammed
headfirst down between your shoulders? Burrowing,
as if to die in heart’s
center; but never to die, even
when all others have. This happens,
yes. For a noggin, a possum —
long tail straight up, one thick,
black hair. You could hang from
our chandelier, at night!
[Egress glitch]
Egress glitch: emergence into a visible,
tangible air, draped and parting, mauve
crepe; hills shimmy, mounds of gelatin;
lungs fill from wringing hands together;
bearings found only by shredding maps,
placing those pieces over eyes. How
can fish thrive among green branches?
What can the squirrel want in
that blue pond? Terror, until terror
fades. There — a city of crazy
tents made from paper remnants. And
there — children sit, speak to each
other, tell stories, not by turning,
not by fixing eyes or mouths —
but by listening, looking outward at
evening sky. To fight for Beauty,
amongst Beauty. Truth is farther, but
in the same line. And in
their words, the life of the
one speaking goes out against that
sky, becomes visible against that great
screen — and the listeners’ lives go
out to meet those words. And
when telling is done, commingled lives
come back, all into each.
Joel Chace has published work in print and electronic magazines such as Lana Turner, Survision, Eratio, Otoliths, Word For/Word, Golden Handcuffs Review, New American Writing, and The Brooklyn Rail. Underrated Provinces is recently out from MadHat Books. Bone Chapel is coming out soon from Chax. For more than forty years, Chace was a working jazz pianist. He is an NEH Fellow.