Joshua Gottlieb-Miller
The Gulf Reflects
—after Martha Serpas
When G-d forces down the prophet’s throat
not metaphorical knowledge, but
a literal scroll, the prophet
brags about it.
I believe in attention
as a natural resource.
You are what you eat.
Yet cities emerge from rivers
and then rivers become
afterthoughts. A slug
glides along its mucus, over
a knife. Our superfund site
started as two lowly
increasing pits in the sixties,
in the San Jacinto River; dioxins
from a paper mill released
by flooding and erosion—
precision pretends
to a prophylactic: knowing
what and how long and why
should protect us, the pace
of cleanup sped, the blame
swallowed up—the northern pit
mostly, still, untouched
by remediation.
There’s a hole deep down
where exhaustion seems
entangled with indifference,
as if buried with it.
The highway above
dizzied by its own distance.
The company at fault
manages a response
and I fear their repair
as further incision.
After one spill in the Gulf,
responsible parties
used dispersants to break up
oil on the surface
of the sea, so when news
helicopters flew overhead
the waters were only choppy,
oil sank to lower depths,
as if separated from itself.
I imagine the prophet’s vomit
as ambergris. The Gulf eats away
at the beach, but everything
comes out again. Our city
compartmentalizes nature,
highlights what’s left.
Outdoor theater
on a fabricated hill,
biggest in the city.
Kids lay in the grass.
I’ve seen opera
for children, watched
an astronaut guitarist
shout out a satellite, looked
from that modest height
across our vast Medical Center,
like a new downtown
in all its gravity
and growth. Separate
the spiritual from intellectual,
physical from what you can’t
control? Horror becomes
mere cliche. I want to emerge
from my own numbness
without poisoning
everyone around me.
I have said not in my name,
like that’s enough.
Today I took my son
to summer camp
at our botanic garden—
recovered from a golf course—
and sat for a minute
in the greenery before work,
the same when I picked him up,
all the while, on the side
of our duplex, a caterpillar
attended to its business
with the humility
of an insect. Unlocking
the front door, I heard
my wife and son whisper;
crouching, they pointed
at what he called milkweed.
I had to get small
to see the chrysalis, almost
missed its metamorphosis.
Keep open my eyes
and throat, as if sifting
what I can do
from what I endure.
Tell the truth. Spit it out.
Joshua Gottlieb-Miller is the author of Dybbuk Americana (Wesleyan University Press, 2024) and The Art of Bagging (Conduit Press & Ephemera, 2023). He received his PhD and MFA in Poetry from the University of Houston, where he also served as a Poetry Editor and Digital Nonfiction Editor for Gulf Coast. From 2018-2019 he served as an inaugural Post-Harvey Think Tank Fellow at Rice University's Humanities Research Center, representing folklore. He teaches at San Jacinto College, and lives in Houston with his wife and son.