Vincent A. Cellucci
once upon a time in security
feeling
a little
insecure
taking
the kids
thru
security
at schiphol
which is
one of
the better
ones
but still
normalizes
this whole
world is
out to
hijack us
head trip
left over
from
bush
the younger’s
administration
with how
many people
and planes
that fly
on the daily
I’d like
to believe
all this
is mostly
for show
a rehearsal
that provides
jobs more
than thwarts
terrorists
esp
as I juggle
my boots
belt
milk
bottles
and bursting
backpacks
mostly
full of
weapons
to combat
boredom
but here
we are
again
in line
and going
through
all the
necessary
steps
to go
on
vacation
of course
the baby
is asleep
when
it’s time
to put
ourselves
thru
the machine
so I go
first
while mama
finishes
emptying
the
double
barreled
stroller
and preparing
to save our
youngest
from a
peaceful
slumber
the three
year-old
watching
as I assume
the pose
for the
cameras
to scan
every cm
of me
clean
‘english?
come on
through’
my son
is next
and this
is the first
time he’s
fully
aware
while he’s
walking
through
so he
stands
like he
saw me
to the best
of his short
stature’s
ability
stretching
his cub
paws
into the
giant
painted
footprints
the agent
humors
him
and presses
the button
for show
‘insufficient
scan’
I see on
the screen
agent smiles
and bends
down
to get eye
level
with my son
who naturally
squares up
to him
then
the agent
reaches
out
both hands
for the pat
down
my son
reaches
out
too
hugs
him
a cute
mistake
he
will
probably
never
make
again
so that it did not spoil / elsewhere
we saved death
for venice
continually postponing
introducing the word
unused
or avoided
not even
spelled out
in endless
conversations
instructions
reprimands
required
over four
years of
rearing
prior to
handing it over
on the lagoon
he substituted
‘broken’
the dinosaurs
were ‘broken’
the bee is ‘broken’
I deemed
this diction
appropriate
enough
for how fragile
we all are
so we let
it suffice
lucky no
family
funerals
spoiled
this surprise
until we arrived
at san michele
legs still wobbly
from the vaporetto
on our way to
see brodsky
and pound
my wife delicately
explained the crypts
with words even
deeper than ‘death’
nekrós
thánatos
I listened
mindfully
to her
gently
explain
while
the sun
breeze
and a large
magnolia
spoiled me
on this quick
vacation
to the land
of the living
yes people’s
bones are in these
spíti (small homes)
I chimed in
‘it happens to everyone’
perhaps the perfect weather
shielded us from questioning
he accepted
while he fumbled
with the one euro roses
we had bought
and he carried
asking only which
flowers go to whom
I told him he could pick
once we found our friends
he got a kick out of
seeing all the pens
planted in the
topsoil of both graves
giving him the idea
he burrowed small
craters with his hands
and I helped him put
in the stems and packing
the dirt around so they
would stand
we admired our men
of letters googled olga
rudge, ezra’s faithful violinist
and my wife and I thanked
the maker of watermark
for bringing us together
all the while the littlest stroller-napped
and the sun had yet to set
so we decided we had time
enough to head to murano afterall
knowing we hadn’t prevented
the rude surprise
still bound to come
we played hide
and seek
all the way
back to the boat
Vincent A. Cellucci wrote Absence Like Sun (Lavender Ink, 2019) and An Easy Place / To Die (CityLit Press, 2011). He edited Fuck Poemsan exceptional anthology(Lavender Ink, 2012). He also has three collaborative titles: come back river (Finishing Line Press, 2014); a ship on the line (Unlikely Books, 2014), which was a finalist for the Eric Hoffer Award; and the most recently released ~getting away with everything (Unlikely Books, 2021) with poet Christopher Shipman. He curates at the TU Delft Library and combines technology and poetry at Leiden University.