Vincent A. Cellucci

once upon a time in securtiy
Vincent A. Cellucci
so that it did not spoil / elsewhere
Vincent A. Cellucci

once upon a time in security

feeling
a little 
insecure 
taking
the kids
thru 
security
at schiphol
which is 
one of 
the better
ones
but still 
normalizes
this whole
world is 
out to
hijack us 
head trip 
left over
from
bush
the younger’s
administration 
with how
many people
and planes
that fly
on the daily
I’d like
to believe
all this 
is mostly 
for show
a rehearsal 
that provides
jobs more 
than thwarts
terrorists
esp
as I juggle
my boots
belt
milk
bottles
and bursting
backpacks 
mostly 
full of
weapons
to combat 
boredom
but here 
we are 
again
in line
and going 
through
all the 
necessary 
steps
to go
on
vacation
of course 
the baby 
is asleep
when
it’s time
to put 
ourselves 
thru
the machine
so I go
first
while mama 
finishes
emptying
the
double 
barreled
stroller
and preparing
to save our
youngest
from a 
peaceful
slumber 
the three 
year-old 
watching 
as I assume
the pose 
for the
cameras 
to scan
every cm
of me
clean
‘english?
come on
through’
my son 
is next 
and this 
is the first 
time he’s 
fully
aware
while he’s
walking
through 
so he
stands
like he 
saw me
to the best 
of his short
stature’s
ability
stretching 
his cub 
paws
into the 
giant
painted
footprints
the agent
humors
him
and presses
the button 
for show 
‘insufficient
scan’
I see on
the screen 
agent smiles
and bends
down
to get eye 
level
with my son
who naturally 
squares up 
to him
then
the agent
reaches 
out
both hands
for the pat 
down
my son
reaches
out
too
hugs 
him
a cute
mistake
he 
will 
probably
never
make 
again

so that it did not spoil / elsewhere

we saved death
for venice 

continually postponing 
introducing the word

unused
or avoided 

not even
spelled out

in endless
conversations
instructions
reprimands
required
over four
years of 
rearing

prior to 
handing it over 
on the lagoon 

he substituted
‘broken’

the dinosaurs
were ‘broken’

the bee is ‘broken’

I deemed
this diction
appropriate 
enough
for how fragile
we all are

so we let 
it suffice

lucky no
family 
funerals 
spoiled
this surprise

until we arrived 
at san michele

legs still wobbly 
from the vaporetto 

on our way to
see brodsky
and pound

my wife delicately
explained the crypts

with words even
deeper than ‘death’
nekrós
thánatos 

I listened
mindfully
to her
gently
explain

while 
the sun
breeze
and a large 
magnolia
spoiled me
on this quick
vacation
to the land 
of the living

yes people’s
bones are in these
spíti (small homes)

I chimed in
‘it happens to everyone’

perhaps the perfect weather
shielded us from questioning

he accepted
while he fumbled 
with the one euro roses
we had bought 
and he carried
asking only which
flowers go to whom

I told him he could pick
once we found our friends
he got a kick out of
seeing all the pens
planted in the 
topsoil of both graves

giving him the idea
he burrowed small 
craters with his hands
and I helped him put
in the stems and packing
the dirt around so they 
would stand 

we admired our men
of letters googled olga
rudge, ezra’s faithful violinist

and my wife and I thanked
the maker of watermark
for bringing us together 

all the while the littlest stroller-napped 
and the sun had yet to set
so we decided we had time 
enough to head to murano afterall

knowing we hadn’t prevented 
the rude surprise 
still bound to come

we played hide 
and seek

all the way
back to the boat

Vincent A. Cellucci wrote Absence Like Sun (Lavender Ink, 2019) and An Easy Place / To Die (CityLit Press, 2011). He edited Fuck Poemsan exceptional anthology(Lavender Ink, 2012). He also has three collaborative titles: come back river (Finishing Line Press, 2014); a ship on the line (Unlikely Books, 2014), which was a finalist for the Eric Hoffer Award; and the most recently released ~getting away with everything (Unlikely Books, 2021) with poet Christopher Shipman. He curates at the TU Delft Library and combines technology and poetry at Leiden University.